A second pass through the corpus — a character, a vehicle, a creature-mask, and an action figure, each traced across the workflow. Where a 3D structure and its photoreal twin carry the same stencil on the same hull, the lineage proves itself.
Same stage legend as Provenance I. Some chains are complete same-subject lineages; others pair a stage with a process capture or a placeholder, marked accordingly.
A second full chain, distinct from Provenance I's ceremonial figure. Sculpted in ZBrush, spun on a turntable contact-sheet to lock the silhouette, then realized photoreal — the crown, the spines, the face holding across every stage.
A subject's class doesn't matter to the method — vehicle, character, mask, all obey the same proof. What matters is whether some hard-edged detail persists across the jump: a painted hull stencil, a horn, a visor. When that mark reads identically two stages apart, the chain is no longer a story you're told — it's a fact you can check with your own eyes. Click any image to inspect it full-resolution.
This is the clearest proof on the site. The freighter is rendered clean in 3D, then dropped into a generative dry-dock plate — and the MANA A lettering on the hull comes through unchanged. That is not a model guessing at a similar ship; it is the same ship, carried across the medium boundary intact.
